The festival opens with a conversation and a glass of fizz. Join the Festival Curator Edward Armitage BEM for an informal preview of the 2026 festival: the ideas, the premieres, the programme.

Opening the festival, Changeling Theatre bring Shakespeare's sharpest romcom, Much Ado About Nothing, played with glitz, glamour and scandal. Bring a picnic, a rug and a sense of mischief.

Sharing a single piano for an evening of four-hand repertoire, a world premiere from Hudson opens the programme and closes with Mussorgsky's Pictures at an Exhibition.

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A coffee concert with JAM's community choir, the Sunflower Singers, led by Rebecca Lodge-Birkebaek. Expect folk songs, musical theatre, a cappella rounds and pop, and a few surprises along the way.

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JAM Sinfonia takes the stage with two reimagined masterworks: Ravel's Piano Concerto with pianist Cyrill Ibrahim, and Debussy's La Mer. Both in brand-new arrangements commissioned by JAM from Timothy Jackson and Julian Durrand.

Three composers arrived at JAM in May. In July, Ryan Corbett (one of the leading performers of his generation) premieres three new works for accordion, written by the sea.

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The 1920s, sung and told. Alexander Armstrong, Claire Booth and Andrew Matthews-Owen take us through Noel Coward, Ivor Novello and the Great American Songbook. Script by Christine Croshaw.

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Violinist Fenella Humphreys brings a solo recital of Bach's great Ciaconna at its heart, framed by Biber, Sally Beamish, Caroline Shaw and Anna Berg. Three centuries on one instrument.

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Black Dyke Band will excite JAM’s audience ahead of their 2026 BBC Proms appearance. Strauss, Mealor, Respighi and Malcolm Arnold, with a three-part soloist showcase.

The festival closes with music, friends and a glass in hand. Join the festival curator, the week's artists and the audience who made it happen for farewells and first thoughts on 2027.

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